Beauty Looks After Herself
Beauty Looks After Herself
Eric Gill saw through our dilemma long ago. Here, in essays on industrialism, architecture, stone-carving, lettering, clothes, philosophies of art, and much else, Gill emerges as the unabashed proponent of "every man an artist" - "every man as the crafter of the liturgy of the ordinary," as Pickstock so aptly puts it. In these essays is issued a call for the recovery of the Real in all its glory, especially the transcendental of Beauty, in which Truth and Goodness coinhere - a call to return to the Real once again its rightful and actual plenitude.
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Eric Gill saw through our dilemma long ago. Here, in essays on industrialism, architecture, stone-carving, lettering, clothes, philosophies of art, and much else, Gill emerges as the unabashed proponent of "every man an artist" - "every man as the crafter of the liturgy of the ordinary," as Pickstock so aptly puts it. In these essays is issued a call for the recovery of the Real in all its glory, especially the transcendental of Beauty, in which Truth and Goodness coinhere - a call to return to the Real once again its rightful and actual plenitude.
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